Friday, April 26, 2013

4 Central Students Reach the Governors Art Show

Congratulations to:

Alexandria Rickrich

Taylor Kamerer

Atticus Murphy

Brooke Stanley

The Ohio Governor's Youth Art Exhibition, now in its forty-third year, is dedicated to the educational and artistic advancement of our talented young people in the state of Ohio. The exhibition is open to all of Ohio's 1,112 high schools, both public and private, chartered by the State of Ohio Department of Education. Our purpose is to provide all budding young artists of the state with opportunities to advance their talent, whether that be through scholarships or simply experiencing the process of entering their work in a competition. The exhibition is a valuable incentive for our young people; it encourages an appreciation for the arts throughout Ohio and reflects the fine quality of art instruction and talent which exist in our state. 
The process of selecting artworks for the state exhibition begins on a regional level. The state is divided into 15 regional locations, with high school students in each region invited to enter work in that regional judging. Each region has a designated Regional Director, who is responsible for choosing the judges for his or her region and arranging specifics of the event.
The state judging takes place in Columbus; however, the judges for this level of competition are chosen from all over the country and are generally professional artists, college level instructors, or both.
From the 12,000 regional entries from the 15 regions, approximately 2,500 are selected to enter the state judging. State jurors then select 300 for the actual exhibition, with 25 of the 300 chosen to receive the Governor's Award of Excellence. Scholarships are offered to seniors by over 30 universities and colleges of art. The selection of students to be offered scholarships is left strictly up to those institutions who offer them. The Governor's Exhibition is merely a vehicle through which schools and students are brought together.

 



Friday, January 11, 2013

FCG Review\


FCG FINAL REVIEW
UNLESS YOU HAVE BEEN TOLD THAT YOU DO NOT HAVE TO TAKE THE FINAL, YOU ARE RESPONSIBLE FOR SHOWING UP FOR THE FINAL.

DEMONSTRATABLE SKILLS: Stuff you have to be able to do.

  • Create shapes using the PATH tool.                                                                         1.1 Graffiti Project.
  • Use all 4 Transform tools. (Rotate, skew, scale, perspective)                        1.2 Phrase Art
  • Use the iWarp filter                                                                                                1.2 Phrase Art
  • Use the TEXT tool to create text of a certain color, size and font.                        1.2 Phrase Art
  • Select an area, copy and paste it.                                                                        1.4 New Myth Animal
  • Blend two animal parts together.                                                                        1.4 New Myth Animal
  • Use the CLONE STAMP to get rid of unwanted background details.            1.4 New Myth Animal
  • Set up a multiply layer so you can color and shade a simple comic.                        2.1 Cartoon Handout

STANDARD TEST SKILLS: Matching, short written explanations.
  • Match pictures of tools with tool descriptions.                                                 Same Tools as Quiz
  • Identify, and define the 3 types of Focal Points                                    5 Design Elements Comp Notes
  • Identify, and define the 3 types of Balance                                                5 Design Elements Comp Notes

Wednesday, November 28, 2012

How to Write and Artist Statement

 Writing An Artist's Statement

The first question is, what is an artist's statement? And the second question is, why do you need one? To answer the second question first, it is a requirement for most good artists to have and I require it for your portfolio.  Then you have to tackle the first question--what is it and what should be included in it?

Your artist's statement can be anything you want it to be, but primarily, it should help people, students or employers to understand what you believe to be the most important aspects of your art, the techniques you use to make it, and what you have learned through the art class/ classes. Also, what you like and dislike about your art. The statement should summarize these things in as few words as possible, preferably short ones, and not be a lengthy dissertation on your place in the future history of art. A three  paragraph statement should do it. You won't keep your readers much longer than that.

Do some brainstorming or journaling on these questions, as though you were interviewing yourself:

         Why do you like to make art?
         What subjects do you prefer? Why?
         What processes and techniques do you use? Why?
         How is your work different from others?
         What do you see in your artwork?
         What do other people say they see?
         What are your goals and aspirations as an artist?
         Who or what inspires you?

Enlist the aid of a trusted friend and do some brainstorming. Don't analyze, just put it down and keep adding to the lists. Once you have a good start, start comparing one thought to another and decide which one grabs you. Throw the other one out. Keep comparing and eliminating until you have three or four main ideas that express the essence of your artistic purpose. Your statement should be short, clear, understandable, not over-stated, and not too mystical or spiritual. Everything in your statement should be relevant to your art.

In short your artist statement should be broken down into three sections:

1.   Why/what got you interested in art/this class?
2.   What have you learned/liked the most in this class/art?
3.   Where do you see your art/yourself with art going in the future?




EXAMPLE STATEMENT
Artist Statement

As far back as I can remember I have been, first and foremost, an artist. In elementary school, I was always the girl who would get asked by other students to do their drawings for them. By high school, I was regarded as the creative type. I began to develop my artistic skill in Advanced Placement Studio Art senior year of high school. It was in that class that I became infatuated with oil painting.

I went to school at Illinois Wesleyan University to progress as a painter. My junior year I traveled to Australia and had the possibility to study painting there. It was at Illinois Wesleyan and in Australia that I explored different painting techniques and styles. By senior year, I was painting with mainly acrylic and some enamel. Heavily influenced by David Hockney’s flat acrylic poolside paintings, and bay-area artist Wayne Thiebaud’s thick brushstrokes and repetitive subject matter, I started to really come into my own as an artist.

In my most recent works, I began to incorporate other interests into my work. I got really into color, and found avant-garde music videos to provide me with many different approaches to color. Also, I found myself drawn visually to 1940’s pinup girl posters, and wanted to take a modern slant with my newest paintings. A favorite part of my most recent work would have to be the incorporation of hand painted borders. I thank my painting instructor Miles Bair from Illinois Wesleyan University for that. He had a couple exhibits up in Illinois while I was at school, and I was grateful to be able to see such eloquent work. Not to mention, his hand painted borders.

By looking rapidly through my life as an artist you can see how many influences have crossed my path. I thrive on looking at other peoples work. I feel that if not given the opportunity to experience everything I have, my work would be very different today.

Wednesday, August 22, 2012

WELCOME

On this site you find everything you need for 
Pickerington Central Art

There are Hand Outs, Calendars, Project Examples, again all things needed for our art classes.

Foundations in 2-D (2D)
Foundations in 3-D (3D)
Foundations in Computer Graphics (CG)
Intermediate 2-D (INT2D)
Intermediate 3-D (INT3D)
AP/Advanced Studio Art (ADV/AP Art)

  • Site is updated weekly and all assignments should be current.
  • Click on the classes you need information for.  
  • The links will direct you to the site that has the information for that class.
  • All class information should be in order that it was assigned (IE: First project top of page, Last project at the bottom)

Huffman and Young can be reached at 
craig_huffman@plsd.us and matt_young@plsd.us

Monday, February 13, 2012

Scholastic Art Winners

Standing in the gallery where his artwork is being showcased, 18-year-old Joshua Tufts discussed da Vinci, Michelangelo and other old masters with the confidence of an expert. 'If you don’t understand classical mediums, you won’t understand the majority of art,' said Tufts, a senior at Tolles Career & Technical Center in Plain City.
His contention doesn’t necessarily mean that he’s headed for a career involving oil paints and canvas, though. 
Instead, like other serious high-school art students today, Tufts envisions a more-modern outlet for his creative passion.
“My interest in art grew when I started playing the video-game series Legend of Zelda,” he said. “I wanted to be on the same team that did all the graphics and music — the entire art direction. So that’s my ultimate goal.”
Tufts is in good company: His works and those of 135 other students from 10 Ohio     counties were selected for the 25th Central Ohio Regional Scholastic Art Awards exhibit, on display through Feb. 4 at the Columbus College of Art & Design.
Students interviewed by The Dispatch said they are considering careers in computer-aided design fields.
“I have more former students in design than any other field,” said Hilliard Davidson art teacher Dan Gerdeman, who has taught for 19 years. “We probably have 15 or 20 graphic designers who went through here. We have two or three (graduates) who are in Los Angeles working in the computer field, helping produce videos and other film-type work.”
CCAD officials say that 25 percent of their students are traditional fine-arts students; the other 75 percent study in fields such as animation and graphic, fashion, industrial or interior design.
Yet the show at CCAD — of works by middle- and high-school students — consists almost entirely of traditional mediums: painting, drawing, sculpture and photography.
When Pickerington Central art teacher Matt Young talks to parents about their children’s interest in an art career, he said, “sometimes, they freak out.”
“They have this image of their kid going to France and wearing a beret or something.”
Young responds by suggesting that parents consider their cellphones.
“Most of them have smart-phones, and I tell them, ‘Look at your apps, your screen   savers, your graphics — all of that is done by art students.’ ”
The motivation for the modernization is simple: Jobs are available.
In the most recent Bureau of Labor Statistics jobs outlook, released in 2009, employment in several art-related fields were projected to rise significantly by 2018: graphics design (up 13 percent), multimedia design/ animation (14 percent) and Web design (30 percent).
The bureau says video gaming is a $10 billion industry employing 32,000 people.
The shift has helped keep students interested in arts careers, even as Ohio schools battle funding cuts.
In the past three years, area districts such as Pickerington, Westerville and Reynoldsburg have cut or threatened to cut arts programs at the elementary- and middle-school levels.
Kevin Conlon, vice president for academic affairs at CCAD, has worked at three arts colleges and has judged numerous high-school competitions.
“The amount of exposure that students have in classrooms to fundamentals is what’s evident now,” Conlon said. “It used to be that students could demonstrate a certain level of competency. And now it’s clear that some schools are not providing students enough time on task for them to develop a consistent portfolio for their applications to colleges.”
Conlon said CCAD has recognized the need, and instructors now spend more time bolstering students’ fundamentals.
In response to the cuts in school programs, cultural organizations including the Columbus Museum of Art have also   tried to help fill the void.
“No question, schools have been impacted,” said Cindy Foley, the museum director of education. “ We also see right now that our relationships with the schools have strengthened and become deeper. We’ve had some really good success lately with our high-school programs.”
Bishop Hartley senior Ogechukwu Mora, 17, said she first thought seriously about art as a career in the seventh grade after being involved in CCAD’s Saturday-morning program for children.
“I love art because everyone has stories and things they want to tell, and emotions,” she said. “ Art is a great medium by which I can express myself — my dreams and desires and beliefs.”
Mora had three pieces selected for the regional exhibit and was one of five students who received best-of-show recognition. Her work qualifies to be judged in a national competition in March in New York.
Winners there are eligible for scholarships to more than 50 participating art colleges nationwide.
Students such as Tufts and Mora underscore why, despite the program cuts, teachers and arts officials say they are encouraged by what they are seeing from high-school art students.
“It seems that the quality is still there,” Conlon said. “There is a certain enthusiasm manifested in the better students — that no matter how little time they’ve had in the classroom, they still figure out how to be creative.
“You can’t hide it.”  Columbus Dispatch Atricle

Monday, December 5, 2011

Scholastics Research Project

Your next assignment will be to do something inspired from the Scholastics Art Competition. To do this, you will need to go to their website.
http://www.artandwriting.org/
Once you are here, click the 'Exhibitions' tab, then the 'Gallery' tab. Here, you will find a large selection of Scholastic award winners.


These are all high school submissions. You will need to:
A: Find a piece which inspires you stylistically, compositionally, etc.
B: Create a plan for a project based off of this piece. Obviously, this will turn into a project, so be sure to think about media, size, etc.

In order to get the image off the web, you will probably need to take a screen shot. Google how to do this based off your operating system. (Windows XP, Vista, 7, Mac OS Leopard, etc.) You can also download image grabbing apps/add ons off Google or Firefox. Pixlr Grabber is a good one for Firefox.

Sunday, September 18, 2011

Google Art Project

Here is an assignment Huffman and I are going to try. Since we cannot take you to a museum..... we are bring some museums to you.
  1.  Go to: http://www.googleartproject.com/
  2.  Explore the museums. Take the virtual tour or slide through the works available to you.
  3.  Pick one particular work of art that stands out to you. Then:
  • Identify different styles used for artwork, including non-traditional artistic styles
  • Use the search engines on the Internet to research an artist
  • Use your sketchbook to assemble a short biography and a collection of his work. Include inspirations and contemporaries of the artist(be creative:)) 
  • Be ready to present to class this artist and artist's use of techniques in artwork and meaning behind the work. And how you will incorporate something from this artist in your style.